On Saturday I indulged myself by watching a few hours of the all day Twin Peaks marathon on the Sleuth network. Do you remember this show? I barely do, it was the ABC primetime drama created by avant guard director David Lynch. Yeah, yeah, I know it has a cult following, and those hipsters in high school all got together to watch it in marathons, but I wasn't cool enough, so I never took note of the show until yesterday, even though I love Lynch. In the one episode that I watched reel to reel were some motifs that were shamelessly co-opted by subsequent auteurs. You might think that spending my time and yours discussing how a 20 year old tv show and its genius creator were ripped off by later aspiring artists is quite trivial, and I might agree with you. But if it was good enough for David Foster Wallace then I guess a little Lynch worship is good enough for your poor correspondent.
The show centers around a law enforcement official who is sent to Pacific Northwest to investigate a case. Apparently this sort of thing is not infrequent even in the so called real world. I myself was randomly stationed in the temperate rainforest of the Oregon Coast range as an intern for a federal land manager, so I relate to Twin Peaks' Special Agent Cooper. Also in this club of East Coast transplants to Doug fir country is Dr. Joel Fleishman, central character in CBS's Northern Exposure, a show that debuted about 6 months after Twin Peaks. My family and I spent many Wednesday nights in the early nineties huddled in front of the CRT watching Northern Exposure together, and I remember the experience fondly. But we were watching only a feel-good, drama lite version of Twin Peaks, cobbled together by studio execs who knew they could garner a hit by toning down the Lynch's edgy wierdness and offering it to the masses.
The episode that I watched featured a fund raiser to help conserve habitat for the pine weasel, an imaginary endangered animal. I can attest that here the show captures a true experience of the rural west where charismatic animals become the lynchpin (ha!) for legalistic wrangling that pits townsmen against one another. During the benefit a live weasel, a sort of ferret, is released to wreak havoc on the black tie crowd. This was an offhand gag for Lynch, but it was nakedly appropriated by the Cohen brothers eight years later and made into a central scene in a little movie called The Big Lebowski. So again, cultural opportunists are mining Lynchiana and cashing in.
Twin Peaks also features a number of young actors whose fame was ascendent at the time of filming. Lara Flynn Boyle, Billy Zane, and Heather Graham were all leads or guests in the show I saw. Although these names now figure as past dated cheddar in the Hollywood icebox, still there appearance on Twin Peaks shows that Lynch was a keen judge of young talent.

